Amanda Sage’s collaboration artwork of the 2001 New York terror attack in surreal and abstract style, is similar to some rock art and ayahuasca artworks, where ‘entoptics’ appear among representations. her themes recall the Babylonian and Biblical Tower of Babel tale, including warring bee tribes; and Tarot trump 16, Tower struck by lightning; and Basil Valentine’s alchemical emblem of an island city struck by lightning. These works express type 1 Builder or Ruiner.
Some rock art works also use abstract shape as subconscious characters (see Furter 2017a; Recurrent characters in rock art reveal objective meaning, in Expression 16, June. Italy: Atelier Etno). Below is the structuralist analysis of how this artwork expresses universal archetypal features, in the standard structuralist anthropology format.
The main general theme in Bryan Ward’s artwork Entheogenic garden of Eden, is type 15 Maker or Re-creator, expressed here as nature, and the plant, animal and cultural kingdoms giving birth to one another and to mutual awareness. The high level of integration of sub-themes indicates spiritual and mental integration of the artist, and of the genre of psychedelic art’ and the high level of integration of Eden and Genesis themes in myth, surreal styling, ritual and language; but due mainly to the rigorous way that archetype expresses itself through nature, cultural media, and the works of gifted artists.
Martina Hoffman’s artwork, Caught in the web, consciously develops graphic themes of creation, knowledge, ecology and ayahuasca visions; and subconsciously expresses the universal structure of space, time and meaning, as all complex artworks do. This post includes a guide to how to identify archetypal features in artworks or built sites, in the standard format for structuralist anthropology data.