Leo Tangula’s paintings of apocalyptic bio-warfare and struggle between Facist and peaceful world orders, and mind orders, include some mystic symbolism, similar to Pablo Picasso’s Guernica. The main general theme in Order of Chaos is revealed by extra features of type 12 /13 Heart, which includes death, war and disease. Another general theme here is type 1 /2 Builder, typical of twisted postures, clusters, birds, towers and ruin.
Delphic Apollo precinct, and landscape, express archetype.
Most major symbolic sites in London lie along invisible axial lines. To maintain a sense of sequence, readers may tour chosen sites on each axis, outward or inward in turn; or combine a tour of chosen sites on adjacent axes.
Nature and culture both compulsively, subconsciously express five layers of eternal, archetypal structure that predate creation, and inform perpetual re-creation. Crop circles indicate nature at play. She uses biological shapes, and what we label 'abstract' angles and numbers, but they are as basic as space, time and archetypal meaning; what we egotistically label ‘concepts’ and 'symbols'. Crop circles are lessons in humility.
Stoneprint, the human code in art, buildings and cities (Edmond Furter, 2016, Four Equators Media, 400 pages, 170mm x 295mm, 130 illustrations) resolves the mysteries of correspondences between ancient cultures. The book reveals the core content and 'grammar' or 'DNA' of culture. We have an innate subconscious compulsion to express a specific, complex, archetypal set of features, in sequence, and on an axial grid, in all our works.
Criss-crossing trapezium lines form a kind of ‘forest’ over the core area of the Nazca geoglyphs. The character figures are in continuous-line format, indicating a well-developed style, perhaps based on textile weaving crafts, or to enable processions. Their ecological themes speak of climate change. Here is the peripheral sequence of characters in the Nazca core area is (noting archetypal features).