Ambrose and Atlantia’s tree of subconscious connections

Kuba Ambrose and Vera Atlantia’s Rainbow tribe artwork of ayahuasca or DMT trancers in Eden, expresses two concentric cycles of characters, with their eyes on two axial grids, nested in one another. This subconscious expression of archetype is rich in semantic (contextual), semiotic (core meaning) and spatial connections and coherence; for which it sacrifices some individual differentiation among the characters. Archetype guides natural, inherent order in all art styles; in built sites; and in several other media once thought to have been ‘invented’ or ‘developed’ or ‘evolved’. Culture re-expresses natural structure.

Stoneprint book index

Stoneprint, the human code in art, buildings and cities (Edmond Furter, 2016, Four Equators Media, 400 pages, 170mm x 295mm, 130 illustrations) resolves the mysteries of correspondences between ancient cultures. The book reveals the core content and ‘grammar’ or ‘DNA’ of culture. We have an innate subconscious compulsion to express a specific, complex, archetypal set of features, in sequence, and on an axial grid, in all our works.

Popular anthropology plays ‘broken telephone’

The range of views in popular anthropology could be summarised as a list of hypotheses on where culture comes from. Some views gain dominance in turn, each imposing its paradigm on science or culture, or both. Nature, gods, heroes, ancestors, evolution, technology, Phoenicians, subconscious, secret societies, aliens, mutants, astronomy, drugs, trance, or a super race?

Chemistry layers reveal biology, as typology reveals culture

It requires a high population density, specialization, and specialized equipment to turn visions into theory, and tests, and results, applications, technology, production, sales, and profit. Without all these enablers, new knowledge would gain little currency, and remain ‘secret’. Most people, including scientists, see the maturity cycle of material culture as ‘evolution’ in cognitive ability or consciousness, which it is not