The main general theme in Bryan Ward’s artwork Entheogenic garden of Eden, is type 15 Maker or Re-creator, expressed here as nature, and the plant, animal and cultural kingdoms giving birth to one another and to mutual awareness. The high level of integration of sub-themes indicates spiritual and mental integration of the artist, and of the genre of psychedelic art’ and the high level of integration of Eden and Genesis themes in myth, surreal styling, ritual and language; but due mainly to the rigorous way that archetype expresses itself through nature, cultural media, and the works of gifted artists.
Martina Hoffman’s artwork, Caught in the web, consciously develops graphic themes of creation, knowledge, ecology and ayahuasca visions; and subconsciously expresses the universal structure of space, time and meaning, as all complex artworks do. This post includes a guide to how to identify archetypal features in artworks or built sites, in the standard format for structuralist anthropology data.
A sense of immanent doom was palpable in popular culture understatements of the 2001 9/11 terror attacks; 2012 Mayan Long Count zero; global financial crisis; Arab Spring waves; pollution; and Age Aquarius (since 2016). The 2019 autumn mass protests (assembly, archetype 5) worldwide, for freedom and environment, against ‘extinction’ (5v13), herald the Age of science, ritual, administration, hyperactivity, global friendship and standards. Marc Alexander’s death and oracles collage subconsciously expresses the archetypal structure in unusually dense detail. This post includes a guide to how to identify archetypal features in cultural media.
The sequence of archetypes in the Stonehenge landscape (as revealed by excavations and radar) is listed here, noting archetypal features.