Parliament Square lies on London’s axis 5aB Priest. Eleven statues of democratic leaders, form two thirds of a small-scaled but dense stoneprint cycle currently emerging here, probably awaiting five more iconic characters (on the blank axial lines in the map).
Most major symbolic sites in London lie along invisible axial lines. To maintain a sense of sequence, readers may tour chosen sites on each axis, outward or inward in turn; or combine a tour of chosen sites on adjacent axes.
Social groups always re-express a specific structure in every complex building site, including villages, temple fields, campuses and cities. Known…
Nature and culture both compulsively, subconsciously express five layers of eternal, archetypal structure that predate creation, and inform perpetual re-creation. Crop circles indicate nature at play. She uses biological shapes, and what we label ‘abstract’ angles and numbers, but they are as basic as space, time and archetypal meaning; what we egotistically label ‘concepts’ and ‘symbols’. Crop circles are lessons in humility.
A vulture and scorpion among the animals carved on Gobekli Tepe pillar D43, attracted several interpretations as a ‘zodiac’. However no coherent star map, observational record, or zodiac sequence emerged. There is some consensus that four species on two other Gobekli pillars could be seasonal ‘beasts’ or cardinal points. As in artworks worldwide, in all Ages, the design subconsciously expresses the five layers of archetypal structure, also found in myth, ritual, building sites, calendars, constellations and hour decan asterisms.
Artworks and art galleries rarely become a public socio-political battleground, as in the 2016 -2017 University of Cape Town (UCT) student bonfire, and the censorship attempt. Subconscious content in Pippa Skotnes’ San-styled window adds to the ironies of cultural appropriation.
Our huts, houses, kivas, circles, pillars, fortune bowls, art, game boards, temples, pyramids, cities, constellations, geoglyphs and graves, say much more about us that we ever knew. Structuralist analysis reveals the universal repertoire in our subconscious behaviour.
Dominant typological themes in the excavated houses at Gobekli Tepe, reveal a larger encompassing structure in the hill complex.
Kiva-shaped houses on a low hill near Sanliurfa and Haran in eastern Turkey, are a halfway house to civilisation, between caves…
Gender of characters in cultural media, adds a range of natural and social nuances to other typological categories, which have emerged from structural art analysis statistics. This paper demonstrates some aspects of the rigorous ‘grammar’ or ‘DNA’ of behaviour as embedded in artefacts.