Our huts, houses, kivas, circles, pillars, fortune bowls, art, game boards, temples, pyramids, cities, constellations, geoglyphs and graves, say much more about us that we ever knew. Structuralist analysis reveals the universal repertoire in our subconscious behaviour.
Gender of characters in cultural media, adds a range of natural and social nuances to other typological categories, which have emerged from structural art analysis statistics. This paper demonstrates some aspects of the rigorous ‘grammar’ or ‘DNA’ of behaviour as embedded in artefacts.
Four structuralist points, and four semi-types, were first isolated in art and rock art analysis; then confirmed in organ reflexology points; and tabulated by seasons; then confirmed in buildings and site analyses; then tabulated among elements. Thus nature confirms cultural structure.
Stoneprint, the human code in art, buildings and cities (Edmond Furter, 2016, Four Equators Media, 400 pages, 170mm x 295mm, 130 illustrations) resolves the mysteries of correspondences between ancient cultures. The book reveals the core content and ‘grammar’ or ‘DNA’ of culture. We have an innate subconscious compulsion to express a specific, complex, archetypal set of features, in sequence, and on an axial grid, in all our works.
The range of views in popular anthropology could be summarised as a list of hypotheses on where culture comes from. Some views gain dominance in turn, each imposing its paradigm on science or culture, or both. Nature, gods, heroes, ancestors, evolution, technology, Phoenicians, subconscious, secret societies, aliens, mutants, astronomy, drugs, trance, or a super race?
The building blocks of culture are the five abstract layers, like the building blocks of nature are elements, their properties, combinations, and reactions; from indestructible electrons to fragile self-replicating creatures. Our replications or ‘creations’ are equally over-determined.
It requires a high population density, specialization, and specialized equipment to turn visions into theory, and tests, and results, applications, technology, production, sales, and profit. Without all these enablers, new knowledge would gain little currency, and remain ‘secret’. Most people, including scientists, see the maturity cycle of material culture as ‘evolution’ in cognitive ability or consciousness, which it is not
The only scientific and thus funded studies of esoterica, are of the economical and political effects of craft societies, such … More
Prof Emmanuel Anati (2004) had noted a combination of innate compulsion, and communicative development in rock art, linked to economic complexity levels. … More
The primary natural expression of structure is in speciation (Tressider 1999). A lion is a lion, a bull is a bull, … More