Example of structuralist art analysis, of a Hopi Candle Night ritual scene, and a Dogon painted mud relief mural. Members and students recognise several stock kachina characters, rituals and items, and Dogon myths. But artists, members and students of any culture, could now identify the archetypal features in any artwork by using the axial grid between eyes, and the list of recurrent archetypal features, on which culture is based (Furter 2014, 2016). The characters are not ‘constellations’.
Greek Cycladic islands salt evaporation pan bases often traced out planetary calendars. One terracotta pan bottom incidentally expresses the archetypal cycle of sixteen types in a rare axial grid. The rare design compares well with Egyptian polar decans (see another post on the Seti1 ceiling), but due to archetype, not diffusion.
Nature and culture both compulsively, subconsciously express five layers of eternal, archetypal structure that predate creation, and inform perpetual re-creation. Crop circles indicate nature at play. She uses biological shapes, and what we label ‘abstract’ angles and numbers, but they are as basic as space, time and archetypal meaning; what we egotistically label ‘concepts’ and ‘symbols’. Crop circles are lessons in humility.