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The human code in Ice Age sites

Radar reveals the Gobekli Tepe village stoneprint

Dominant typological themes in the excavated houses at Gobekli Tepe, reveal a larger encompassing structure in the hill complex.

Gobekli Tepe houses A, B, C and D (not built in that order) are inside the later level IIA terrace wall, and avoided by later buildings. Level III has fifteen more structures. Circle E on the southwest plateau may be the floor of a Level III structure similar to circle C, dated later, however it could be a quarry trial erection before its pillars were moved to the hill, a procedure used on some other sites, such as much later at Stonehenge (see Furter 2016; Stonerpint, Stonehenge chapter).

Larger and more elaborate houses may be earlier, while smaller circles and rectangular houses or rooms may be later. However many sites are known where the stoneprint structure unfolded over years, even centuries (see Furter 2016; Stoneprint, chapter on Egypt’s Kings Valley and Queens Valley. And see Stoneprint Journal 2; Crop circles are natural artworks. Active fields unfold stoneprint over about 18 seasons).

Asymmetry of the outline of the potential Gobekli hill stoneprint, raises the possibility that the still covered structures could express a second, adjacent stoneprint, ‘geared’ to the excavated sector’s stoneprint, perhaps by sharing types 13, 14, 15, and/or 1 (see several double stoneprints in Furter 2016; Stoneprint, Mayan or Mexican chapter).

Dominant typological themes in the excavated houses at Gobekli Tepe, reveal a larger encompassing structure in the hill complex. Identifications, and the axial grid, may change as excavation proceeds. Here is the tentative sequence, labelled by archetypal numbers, generic ‘characters’, /and the analogous constellation myth (not ‘sign) as abbreviated in the illustration:
1 Builder /Taurus; West rectangle.
2 Builder /Taurus; House B.
3 Queen /Aries; House A, engraved ovids (ovid 3).
4 King /Pisces; Undetected? Probably rectangular?
5 Priest /Aquarius; Undetected?
6 Exile /Capricornus; A south-east feature, unexcavated. Probably near the axial centre (ingress)?
7 Child /Sagittarius; Undetected?
7g Gal. Centre; A wall cairn?
8 and 9 Healer /Scorpius; ? May be crammed against perimeter wall.
10 Teacher /Libra; Unexcavated?
11 Womb /Virgo; Traces of an oval? Unexcavated.
12 Heart /Leo; Lion (felid) engraving on the east pillar of a rectangular house?
13 Heart /Leo; Lion (felid) engraving on the west pillar of a rectangular house; and a large house, unexcavated.
14 Mixer /Cancer; House D; and a distant feature, unexcavated.
15 Maker /Gemini; Very large house near D, on the hill summit; and a double (doubled 15) house, unexcavated, within later terrace walls.

The axial centre may be on House C. However this feature is usually unmarked, or marked by a feature different from the periphery of types, thus the site grid identification above may be premature.

Orientation of the potential site stoneprint, flips around the orientation of the stoneprint in most houses. Village houses expressing types 11 Womb and 12/13 Heart are on the north, while most houses’ pillars expressing types 11 Womb and 12/13 Heart are south-south-east. Or to be more accurate, types 11 and 12/13 are expressed here by benches between certain pillars, parallel to the way that artworks express type 11 Womb on a midriff, and type 12/13 Heart with their invisible axial lines on a chest, instead of eyes as of the other type characters.

Two of the most interesting examples of this of regular ‘exception’, is in Egypt’s Valley of the Kings, where the hidden tomb entrances form two adjacent stoneprints, while types 11 Womb (of Hatshepshut as a regnant queen among the kings) and 12/13 Heart axes are on tomb chambers; and in the Valley of Queens, where the tomb chambers from two adjacent stoneprints, while types 11 Womb and 12/13 Heart axes are on hidden tomb entrances. These axial grids could now be verified by archaeological maps and GPS, but they were built over centuries, without a master plan, each covered by slope scree before the next was begun, with at least one accidental breach into an older tomb (see Furter 2016; Stoneprint, and an extract in another post). Gobekli half-sunken or kiva-type houses, typical of the Ice Age and Younger Dryas, were apparently infilled before or while others were built. Older houses are on the south-west slope, with a good but hidden view of game animal movements in a north-south gully east of the hill, where they were trapped as they moved to and from Harran plain. Gobekli hill also has a view of this fertile and strategic plain. Later houses are on and over the hill summit, perhaps ritual or memorial, or with diplomatic functions, similar to the Apollo temple precinct and treasuries at Delphi (see Delphi campus stoneprint, and a tentative Delphi landscape stoneprint, in the paper Blueprint on http://www.edmondfurter.wordpress.com)

  • Order the book Stoneprint, the human code in art, buildings, and cities, including structuralist analyses of four Gobekli houses (an extract is included in another post), and three Gobekli pillar engravings, at$30 plus postage, from Four Equators Media via edmondfurter at gmail dot com.
  • Order the book Mindprint, with 200 examples of subconscious expression of archetypal structure in art and rock art of all cultures and eras, including two Gobekli pillar engravings, on Lulu.com.

By Edmond Furter

Edmond Furter wrote the book Mindprint, the subconscious art code (2014, Lulu.com), to demonstrate five layers of recurrent features in 200 artworks of all cultures and Ages, revealing the archetypal core content of culture. His second book, Stoneprint, the human code in art, buildings and cities (2016, Four Equators Media), expands demonstrations of the subconscious expression of archetypal structure to houses, temples, monuments, pyramid fields, geoglyphs, villages, cities and regions. The same structure also appears in mythology, such as Babylonian building rituals; and in reflexology points in our hands and irises, thus in nature. Stoneprint also demonstrates that the periodic table is a kind of natural 'culture', and that culture is a natural 'species' of behaviour. The structure in our works is as rigorous as grammar or DNA.
The books Mindprint, and Stoneprint, and editions of the structuralist anthropology periodical, Stoneprint Journal (some of which are available on Lulu.com), draw on extensive research in iconography, archaeology, history, esoterica, astronomy, art history and structuralist anthropology, spanning 26 years.
The core content of culture includes about 100 recurrent features of the sixteen main types, their sequence, five polar markers, and a time-frame orientation, that nature, individuals and societies subconsciously and compulsively express in all media. The mindprint or stoneprint model of structuralist anthropology has several major implications for all the human sciences, and offers a theoretical bases for a holistic approach to the study of the cultural record. Edmond Furter works as a freelance researcher and editor in Johannesburg.
Order the book Mindprint at $30, or the book Stoneprint at $30, or editions of Stoneprint Journal at $5, plus postage, on edmondfurter at gmail dot com; or Mindprint, or Stoneprint Journal editions on Lulu.com

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