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Stoneprint introduction

Atomic building blocks express archetypal structure

Four structuralist points, and four semi-types, were first isolated in art and rock art analysis; then confirmed in organ reflexology points; and tabulated by seasons; then confirmed in buildings and site analyses; then tabulated among elements. Thus nature confirms cultural structure.

Many chemists chart the periodic table on a spiral. Most tables
introduce gaps at certain intervals, to account for gaps in the
progression of stable properties along the progress of atomic numbers (Z-numbers, usually equal to electron numbers). Maurice Peyroux’s periodic table introduces gaps from 2He Helium to 3Li Lithium; 10Ne Neon to 11Na Sodium; and 18Ar Argon to 19K Potassium. He extends the fields for 1H Hydrogen, 4Be Beryllium, 12Mg Magnesium, and 21Sc Scandium. Similar adjustments continue among the heavier metals, to align some atomic properties in radial columns.

By making four slight tabulation adjustments in the standard gaps, the Peyroux table core forms a 6×5 squared spiral of elements:
10Ne Neon and 18Ar Argon move across the artificial transition to the left;
11Na Sodium moves into part of the large 12Mg Magnesium field;
18Ar Argon displaces 19K Potassium into the Sc21 Scandium field;
20Ca Calcium moves into part of the 21Sc Scandium field.

Here is Peyroux’s periodic table spiral as a squared grid, with elements over their atomic numbers (number of protons, or number of electrons):………….[tables are omitted in this extract]……….
Elements in the same rows are seven or eight protons apart, thus one electron orbital apart; here marked [v]. Gaps _ appear from 7N to 8 O; and from 15P to 16S. The periodic table compares directly with the stoneprint types: axial opposites are seven or eight types apart; higher magnitudes are fifteen types apart. Two galactic and two polar points intervene in ‘gaps’. Here is Peyroux’s periodic spiral table of elements, over atomic numbers (identical to stoneprint type numbers), over seasons or myths or constellations: ……..[tables are omitted in this extract]…………

Four gaps (marked =) coincide with two galactic and two polar features:
7g Galactic Centre [Galax]

11p Galactic Pole [pGal]

15g Galactic Gate [Gate]; Electrons [e-]?

4p Galactic South Pole [pGs]; NO GAP, but some tables do place a gap between 19K Potassium and 20Ca Calcium.

The four transitions at top and bottom, coincide with four semi-types:
2c Basket; 2He to 3Li, gas to solid
5c Basket Tail; 5:20Ca to 6C, silt to fuel
9c Basket Lid; 9F to 10Ne, reactive to inert gas
13c Basket Head; 13Al to 14Si, metal to rock.

These four structural points, and four semi-types, were first isolated in art and rock art analysis; then confirmed in organ reflexology points; and tabulated by seasons; then confirmed in buildings and site analyses; then tabulated among elements. Thus nature confirms cultural structure. In hindsight, this study should have started with natural structure. However the result is the same: structure is pervasive, enabling creation and perception, including ‘thought’. One of the differences between the cultural stoneprint spiral, and the natural periodic table spiral, is that the atomic spiral is contracted, or more tightly rolled, introducing a coil of ‘opposite’ types between lower and higher magnitude versions of the double-layered types. Here is a comparison ……………….[extract from Stoneprint, 2016]

[order the book Stoneprint, the human code in art, buildings and cities, at $30 plus postage from Four Equators Media, via edmondfurter at gmail dot com].

By Edmond Furter

Edmond Furter wrote the book Mindprint, the subconscious art code (2014, Lulu.com), to demonstrate five layers of recurrent features in 200 artworks of all cultures and Ages, revealing the archetypal core content of culture. His second book, Stoneprint, the human code in art, buildings and cities (2016, Four Equators Media), expands demonstrations of the subconscious expression of archetypal structure to houses, temples, monuments, pyramid fields, geoglyphs, villages, cities and regions. The same structure also appears in mythology, such as Babylonian building rituals; and in reflexology points in our hands and irises, thus in nature. Stoneprint also demonstrates that the periodic table is a kind of natural 'culture', and that culture is a natural 'species' of behaviour. The structure in our works is as rigorous as grammar or DNA.
The books Mindprint, and Stoneprint, and editions of the structuralist anthropology periodical, Stoneprint Journal (some of which are available on Lulu.com), draw on extensive research in iconography, archaeology, history, esoterica, astronomy, art history and structuralist anthropology, spanning 26 years.
The core content of culture includes about 100 recurrent features of the sixteen main types, their sequence, five polar markers, and a time-frame orientation, that nature, individuals and societies subconsciously and compulsively express in all media. The mindprint or stoneprint model of structuralist anthropology has several major implications for all the human sciences, and offers a theoretical bases for a holistic approach to the study of the cultural record. Edmond Furter works as a freelance researcher and editor in Johannesburg.
Order the book Mindprint at $30, or the book Stoneprint at $30, or editions of Stoneprint Journal at $5, plus postage, on edmondfurter at gmail dot com; or Mindprint, or Stoneprint Journal editions on Lulu.com

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